"Rebecca" (1940)

"Rebecca" (1940)

"Rebecca" (1940)

Selznick International Pictures

A self-conscious bride is tormented by the memory of her husband's dead first wife. - An unnamed naïve young woman (Joan Fontaine) is in Monte Carlo working as a paid companion to Edythe Van Hopper (Florence Bates) when she meets the aristocratic widower Maximilian "Maxim" de Winter (Laurence Olivier). They fall in love, and within two weeks they are married. The young woman is now the second "Mrs. de Winter."

Classic (Released Prior to yr 2000)
Director, Michelangelo Antonioni

Michelangelo Antonioni (On Directing)

I am not a theoretician of the cinema. If you ask me what directing is, the first answer that comes into my head is: I don't know. The second: All my opinions on the subject are in my films. Among other things, I am an opponent of any separation of the various phases of the work. Such separation has an exclusively practical value. It is valuable for all those who participate in the work - except for the director, if he happens to be both author and director at once. To speak of directing as one of the phases in this work is to engage in a theoretical discussion which seems to me opposed to that unity of the whole to which every artist is committed during his work.

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Michael Apted | Director

Up and Away with Michael Apted

It was far from an auspicious debut. The first official press and industry screening of acclaimed British director Michael Apted's latest documentary, Inspirations, at the Toronto International Film Festival was plagued with projection problems. The framing was off, there was sound and then there was none. Some audience members joked that perhaps the hapless projectionist had been ingesting illicit substances when he should have been paying attention to the screen. And although Apted himself was not on hand to witness the unfortunate event, he heard all about it by the time our interview rolls around the following morning.

"You never really get a second chance," he sighs, clearly irked by the situation, "especially if it's a visual film."

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"The Wizard of Oz" (1939)

Judy Garland | "The Wizard Oz" (1939)

"The Wizard of Oz" (1939)

Metro-Goldwyn-Mayer (MGM)

Dorothy Gale is swept away from a farm in Kansas to a magical land of Oz in a tornado and embarks on a quest with her new friends to see the Wizard who can help her return home to Kansas and help her friends as well.

Classic (Released Prior to yr 2000)
Charlton Heston, James Stewart, Betty Hutton, Lane Chandler | "The Greatest Show on Earth" (1952)

Roy Wagner, ASC | Favorite Forgotten Films

Although I saw many films before this, I recall the power that The Greatest Show on Earth held over me as a child. The sense of showmanship and the scope drawn into that one-dimensional screen captured my imagination. I recall that, at the time, it suggested the power of which the cinema was capable.

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Jean Coulter Stunt

Confessions of a retired Stunt Woman I

This (above), was one of those stunts where everything went wrong! It was a picture called "Honky Talk Freeway" directed by John Schlesinger. And the stunt team read like a "Who's Who" of Hollywood Stunt people!

The first time, I flew out of the car, it slid over the hill with me. I rolled down the hill while the car was right next to me. As the tire was sliding within inches of my face, I wondered if it could flip while sliding so fast and I would end up underneath it.

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